Inside the Mirror Pool

A practice exploring perception, narrative systems, and how intelligence takes shape — in humans and in machines.

The work moves across moving image, writing, sound, and visual studies.
Perception is treated as material — examined through framing, attention, rhythm, and stance, and how identity takes form through them.

Cinematic thinking informs much of the work here: how pacing, omission, sequencing, and silence shape meaning as much as what is shown.
AI appears here as a medium of reasoning rather than a subject in itself — a way to explore framing, identity, and decision-making beyond automation.

The practice is ongoing, exploratory, and intentionally slow - offering conditions for reflection rather than conclusions.

Work
Visual studies, writing, films and audio.

Studio
I work with organisations and individuals on narrative, framing, and identity-driven systems — including AI — through advisory and project-based collaborations.

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