Art / Visual Studies
Paintings, sketches and photography test structure, surface, and duration—studies in attention, framing, and uncertainty signals.
The work unfolds through return and variation rather than resolution.
Attention is composed by framing, repetition of register, and the intervals between images.
Selected works appear on Instagram
Sequential Montage
This work develops through adjacency rather than narrative.
Images are placed in relation, allowing perception to unfold across pauses, returns, and shifts in attention.
Sound studies run alongside the images—shaping pacing, atmosphere, and emphasis.
Contact Studies
This work investigates how surfaces register contact.
Marmoleum (linseed-oil linoleum) is used as a natural yet industrial ground—made to endure force, weight, and wear through human interaction. Materials are tested through pressure, lift, and interruption.
Marks are not added as images but produced through contact—traces that persist as bodily remembrance, as system and body align and realign through misfit.
Sequential Montage
An inquiry into the face as surface and the body as site of mediation.
Through staged photography, images are subjected to normalisation, distortion, and re-alignment.
The work examines how recognition systems translate presence into data. Identity shifts under negotiated pressure.